They have distinctive characteristics in the music of Bengal, popular in India and Bangladesh. Known as Tagore Songs, are songs written and composed by Rabindranath Tagore.
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Literature Music and performing arts Media Sport Culture portal Bengal portal vte Rabindra Sangeet (Bengali: Robindro shonggit, Bengali pronunciation: ), also
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#PETTAI RAP CARNATIC SERIES#
Folk musicĪ pair of Indian folk musicians performing in a rural village Main article: Indian folk music Rabindra Sangeet (Music of Bengal)īlack-and-white close-up photograph of a piece of wood boldly painted in unmixed solid strokes of black and white in a stylized semblance to "ro" and "tho" from the Bengali syllabary.ĭance accompanied by Rabindra Sangeet Part of a series on the Culture of Bengal History People Languages Traditions Cuisine Festivals Art Light classical or semi-classical music include the following genres, among others: Thumri, Dadra, ghazal, Chaiti, Kajri, Kaththa and Tappa. It has served as the foundation for most music in South India, including folk music, festival music and has also extended its influence to film music in the past 100–150 years or so. Every December, the city of Chennai in India has its six week-long Music Season, which has been described as the world's largest cultural event. Sivaraman, Mysore Manjunath, Mysore Nagaraj, TM Krishna, Bombay Jayashri, Aruna Sairam, etc. Noted artists of Carnatic Music include MS Subbulakshmi, Ariyakudi Ramanuja Iyengar (the father of the current concert format), Semmangudi Srinivasa Iyer, Prapancham Sita Raman, TN Seshagopalan and more recently Sanjay Subrahmanyan, Balamuralikrishna, K J Yesudas, N.Ramani, Lalgudi Jayaraman, Umayalpuram K. Purandara Dasa is considered the father of Carnatic music, while Tyagaraja, Shyama Shastry and Muthuswami Dikshitar are considered the trinity of Carnatic music. There are about 7.2 million ragas (or scales) in Carnatic Music, with around 300 still in use today. The main emphasis is on the vocals as most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style (known as gāyaki). It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval, and, in the case of more advanced students, Ragam Tanam Pallavi. Carnatic music is melodic, with improvised variations. It is said to have originated in the South Indian state of Karnataka. Carnatic music Main article: Carnatic music The present form of Carnatic music is based on historical developments that can be traced to the 15th 16th centuries AD and thereafter.
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Classical genres are dhrupad, dhamar, khyal, tarana and sadra.
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In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, historical Vedic philosophy and native Indian sounds but also enriched by the Persian performance practices of the Mughals. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. The practice of singing based on notes was popular even from the Vedic times where the hymns in Sama Veda, a sacred text, were sung as Samagana and not chanted. Hindustani music Main article: Hindustani classical music Hindustani music tradition was developed around 13th and 14th centuries AD with Persian influences and from existing religious and folk music. Melody is based on the system of ragas, which are melody types used as the basis for improvisation. Its tonal system divides the octave into 22 segments called shrutis, not all equal but each roughly equal to one quarter of a whole tone of Western music. Basic understanding of this music that includes Shruti, Swara, Alankar, Rāga, Tāla. Main article: Indian classical music Two main traditions of classical music are Carnatic music, found predominantly in the peninsular regions, and Hindustani music, found in the northern and central regions.